Selecting the right type of surface for each image is a fundamental part of the printing process. I prefer working with matte finished papers, since they don’t produce any inconvenient and distracting reflections; allowing you to appreciate the art from any angle and with no need of special lighting.

Another important reason is that these papers enhance the particular aesthetic effect that I want in my printed work. Here are some samples of the texture of the papers I use so you have an idea of what to expect. You will find the specific paper used for each photo in the image gallery.

William Turner 310 gsm, 88.5% white, 100% cotton

Papers - From Dust to Ashes : The Suspension of Disbelief

Museum Etching 350 gsm, 87% white, 100% cotton

Papers - From Dust to Ashes : The Suspension of Disbelief

Torchon 285 gsm, 96% white, 100% alpha-cellulose

Papers - From Dust to Ashes : The Suspension of Disbelief

German Etching 310 gsm, 91.5% white, 100% alpha-cellulose

Papers - From Dust to Ashes : The Suspension of Disbelief

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